““Could it have been anyone, or was it destiny? When I’m considering this I find it helpful to quote the wisdom of my father, who once told me, “Who knows why the fuck anything happens?””
What is the Book about?
Probationary Constable Peter Grant dreams of being a detective in London’s Metropolitan Police. Too bad his superior plans to assign him to the Case Progression Unit, where the biggest threat he’ll face is a paper cut. But Peter’s prospects change in the aftermath of a puzzling murder, when he gains exclusive information from an eyewitness who happens to be a ghost. Peter’s ability to speak with the lingering dead brings him to the attention of Detective Chief Inspector Thomas Nightingale, who investigates crimes involving magic and other manifestations of the uncanny. Now, as a wave of brutal and bizarre murders engulfs the city, Peter is plunged into a world where gods and goddesses mingle with mortals and a long-dead evil is making a comeback on a rising tide of magic.
Rating
Plot ★★☆☆☆
Characters ★★★☆☆
World Building ★★★★☆
Atmosphere ★★★★☆
Writing Style ★★★☆☆
Favourite Character
Thomas Nightingale
My thoughts while reading it
Ben Aaronovitch’s Rivers of London is a vibrant introduction to a magical version of modern-day London, where the fantastical and the real merge seamlessly. The book combines urban fantasy with police procedural elements, delivering a witty, fast-paced story set against the backdrop of one of the world’s most iconic cities. While the novel shines in its imaginative premise and clever use of its setting, certain narrative flaws hold it back from reaching its full potential.
The story begins when Peter Grant, a rookie constable in the Metropolitan Police, encounters a ghost during a murder investigation. This discovery leads him into a hidden world of magic, ghosts, and supernatural creatures. Taken under the wing of Detective Chief Inspector Thomas Nightingale, the last practicing wizard in Britain, Peter begins to unravel the mysteries of magical London while learning the art of wizardry himself.
One of the most exciting aspects of Rivers of London is how Aaronovitch integrates the magical with the real. The story takes place in a fully recognizable London, and the author’s deep knowledge of the city shines through on every page. Landmarks like Covent Garden, the Thames, and even lesser-known neighbourhoods are not just settings but active participants in the narrative. By weaving magic into the everyday life of the city, Aaronovitch creates a world that feels both fantastical and grounded. What makes this setting particularly compelling is how much you learn about London while reading. From its history and architecture to its geography and culture, the book is a treasure trove of London trivia. The anthropomorphized river gods—like Mama Thames, who rules the lower river, and Father Thames, who controls the upper stretches—are tied to the city’s geography in clever and inventive ways. These magical figures not only enrich the narrative but also highlight the importance of the Thames to London’s identity. It’s a book that celebrates the city’s quirks, contradictions, and hidden stories, offering readers a chance to see London through a new and enchanting lens.
Peter Grant is an engaging protagonist whose mix of dry humour and scientific curiosity makes him a likeable guide through this magical world. His perspective as a mixed-race Londoner adds a unique layer to the narrative, allowing for moments of cultural insight and humour. However, Peter’s rapid acceptance of magic feels rushed and robs the story of what could have been a fascinating internal conflict. The ease with which he transitions from sceptical constable to apprentice wizard feels unrealistic, making his journey less impactful than it could have been.
The supporting characters, on the other hand, are a delight. Thomas Nightingale, Peter’s enigmatic mentor, is an especially compelling figure. His old-world charm, stoic demeanour, and hints of a mysterious past add a richness to the story that often outshines Peter’s straightforward character. I found myself wishing the story had been told from Nightingale’s perspective instead. An older character with years of magical experience, countless secrets, and a unique view of London’s magical history would have made for a much more intriguing protagonist. His internal struggles, shaped by decades of solitude and responsibility, could have offered a depth that Peter’s more lighthearted narrative occasionally lacks. Nightingale’s role as a mentor is effective, but as the story unfolds, it feels like he was better suited for the lead role. The river gods, particularly the fiery Mama Thames and her family, are among the book’s most memorable characters. Even minor characters, like Molly the creepy housekeeper, bring humour and a sense of mystery that enrich the narrative.
Despite its strong world-building, the novel struggles with pacing. The story alternates between gripping magical events and abrupt transitions to mundane scenes, such as Peter discussing paperwork or grabbing coffee. These shifts often undercut the tension and leave key moments feeling unresolved. For instance, an intense supernatural encounter might end suddenly, with little reflection or follow-up, which can frustrate readers looking for more narrative depth. Aaronovitch’s prose is light and conversational, filled with humour that makes the book a quick and entertaining read. Peter’s witty commentary is one of the book’s highlights, though there are moments when the humour feels misplaced and detracts from the story’s emotional stakes.
What sets Rivers of London apart is its ability to turn the city itself into a character. Aaronovitch’s love for London is evident in his detailed descriptions and creative use of its landmarks. For readers familiar with the city, the book offers a magical reimagining of familiar places. For those less acquainted, it’s an opportunity to explore London in a way that feels both educational and fantastical. By the end of the book, you’ll likely find yourself wanting to visit the city—or at least look up its rivers and hidden histories.
While Rivers of London is an imaginative and entertaining read, it doesn’t quite reach its full potential. The rushed character development and uneven pacing prevent it from being as impactful as it could have been. However, its unique setting and creative world-building make it worth exploring, particularly for fans of urban fantasy or anyone with an interest in London itself. In the end, Rivers of London is an enjoyable and inventive detour into a magical version of the real world. It’s not perfect, but its charm, humour, and richly realized setting make it a story that lingers in your mind long after the final page. For those who love London—or want to learn more about it—this book offers a fresh, fantastical perspective on a city that has inspired countless stories.
Reading Recommendation? ✓
Favourite? ✘
100% agree with your review. It was fun, but I wasn’t rushing to move onto book 2.
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